EXHIBITIONS + PERFORMANCES
Hexing the Alien (reprised), Women, Art and Feminism in Australia since 1970 Symposium. Victorian College of the Arts, University of Melbourne, Melbourne, 2018.
Interruptions, iterations, intimations and peregrinations, with S. Maxted, FORMAT FOREVER Festival. FORMAT, Adelaide, 2017.
mMyth is is, Art(i)culations of Violence: Gender, Sex and Sexualities Postgraduate and ECR Research Conference. University of South Australia, Adelaide, 2017.
The Darkening: Flesh Lined With Language Lined With Flesh, with Quinn Eades. Technicity, Temporality, Embodiment: 10th International Somatechnics Conference. Byron Community Centre, Byron Bay, 2016.
echolalia: golden iterations, with Amy Ireland, (performing as WHOIS), Experimentalities. Experimental Writing: Why & Why Now? SA Writers’ Centre, Adelaide, 2015.
Hexing the Alien [keynote]. CYBORG: Hacktivists, Freaks and Hybrid Uprisings. Disruption Network Lab, Kunstquartier Bethanien, Berlin, 2015.
Songs for Skinwalking the Drone (Transmètic Remix), with Neha Chriss (performing as Skin Of Rivers – [Forever] A Scarce Colour). Transmètic. Lewisham Art House, London, 2015.
Songs for Skinwalking the Drone [keynote], with Neha Chriss. TRANSCEND: Symposium, CLICK Festival of Arts, Science and Technology Futures. Culture Yard, Helsingør, 2015.
Publications and Bibliography
‘mMyth is is,’ Writing From Below (Art(i)culations Conference Special Issue). IHI, 2018.
‘The Darkening: Flesh Lined With Language Lined With Flesh,’ Somatechnics. IHI with Q. Eades, 2018.
‘Format’s final hour,’ CityMag. F. Foster, 2017.
‘Hexing the Alien,’ Spheres: Journal for Digital Cultures, 2: Ecologies of Change. F da Rimini & V. Barratt, 2015. Performance video documentation http://spheres-journal.org/hexing-the-alien
‘Critique Matters – On Hexing the Alien,’ Spheres: Journal for Digital Cultures, 2: Ecologies of Change. R. Ardner, 2015. http://spheres-journal.org/critique-matters-on-hexing-the-alien